Alabama Social Studies SS24.US2.3b

Social Studies11th GradeRoaring Twenties and the Great Depression

The Standard

SS24.US2.3
Evaluate how key figures, events, and trends shaped United States society and culture from the conclusion of World War I through the 1920s.
Explain how art, literature, and music, including that produced by Alabamians, influenced both the Harlem Renaissance and the broader culture of the 1920s.

2024 Alabama Course of Study: Social Studies

Teacher's field guide

What This Standard Means

What Students Need to Do

Students study 1920s art, writing, and music, including work by Alabama-born Zora Neale Hurston and W. C. Handy. They explain how these works shaped the Harlem Renaissance and reached people beyond Harlem through books, magazines, and records.

What Mastery Looks Like

A student can point to a detail in Hurston's writing or Aaron Douglas's art and explain how it portrayed Black life. They can explain how a recording of Handy's blues brought Black music to listeners beyond Harlem.

Common Misconceptions

Students may think every Harlem Renaissance artist lived in Harlem, or that the movement was only about music. They may also confuse Handy's original song with Bessie Smith's later recording of it.

How to Assess It

Exit ticket: Choose Hurston's essay, a Douglas illustration, or the 1925 recording of Handy's “St. Louis Blues.” Name one feature and explain its link to Harlem and audiences elsewhere.

Lesson moves

Ways to Teach It

  1. Give pairs printouts of Hurston's 1928 essay and Douglas's 1927 illustrations; have them mark details that show Black identity, history, or pride.

  2. Ask, “How did Hurston's writing and Handy's blues challenge older portrayals of Black life?” Require one detail from each work.

  3. Run a card match: connect Hurston, Douglas, and Handy to a work, its medium, and how audiences outside Harlem encountered it.

  4. Compare a 1925 record ad with a streaming app screen; students mark how each carries music beyond its starting community.

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